It's the early 1940s and vaudevillian actor, dancer and movie sensation, Donald O'Connor, is joining the war effort. Universal will soon be without one half of a popular duo (the Mickey Rooney and Judy Garland of the lot) - O'Connor and Peggy Ryan. To squeeze as much revenue out of this entertainer as they can before his youth and fame (and possibly, his life) are gone, studio bosses slap together several O'Connor films to be rationed throughout the emergency like meat or vegetables.
|O'Connor with Frances Dee and Donald Cook|
The original story makes the gender switch well. Instead of a girl and her actress mother inadvertently vying for the same Broadway role, it's a fellow and his father (Donald Cook). New York Times critic Bosley Crowther deems the film "promising" but ultimately disappointing and "all too familiar." The critic goes on to call O' Connor's aggressive manner "irritating," but he couldn't be farther from the truth. This rehashed story is redeemed by Ryan's and O' Connor's vivacity and charm.