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Saturday, December 03, 2016

Classic Movie End-of-the-Year Giveaway [Closed]

UPDATE: We have randomly chosen a winner - Randi C. We have sent an email  for  the winner to claim the prize. Thanks to all who participated.

Java's Journey is here to give away classic movie-related stuff. We had planned to give away these things (and much more) to someone sooner but didn't get around to it. Now it's December, so....

What are we giving away in Java's Journey's End-of-the-Year Classic Movie Pack?

3 Items
  1.  A copy of Romina Power's rare English language hardback, SEARCHING FOR MY FATHER, TYRONE POWER. (Read a review of this biography by clicking the title.)
  2. A Blu-Ray Disc of THE WIZARD OF OZ, 75th Anniversary Edition, starring Judy Garland (Read a comparison of The Wizard of Oz and The Wiz by clicking here.)
     
  3. A DVD of ALICE'S ADVENTURES IN WONDERLAND, starring Dudley Moore and Peter Sellers.

How Do You Enter the Giveaway?

Enter in the widget below using your email address or Twitter account. Please read the Terms and Conditions.

For How Long Does the Giveaway Last?

The giveaway lasts from Saturday December 3, 2016 at  12:00am (EST) to Saturday December 10, 2016 at 11:59 PM(EST).


End-of-the-Year Classic Movie Give-Away @ Java's Journey

Wednesday, September 14, 2016

Joan Crawford by Anna Raeburn [Book Review]

In 1986, Little, Brown and Company published a coffee table book of one of Hollywood's brightest stars of the 20th century titled simply Joan Crawford

Interspersed between full-page images of Crawford - from early flapper, to rising star, to mature businesswoman- is a short biography of the star of Mildred Pierce written by Anna Raeburn. It's a delightful, informal, self-referential piece (much like a blog post, but long before they ever existed) which recounts Crawford's rise from poverty in Texas, to her Oscar win, to her fatal battle with illness.

The biography ends at page 8, then the reader is left on her own for the next 100 pages to gaze at the many faces of Joan. And there are many. Each one almost looks like a completely different person. Joan would try any new style at least once.


Most of the photos are from George Hurrell - a legendary photographer whom Crawford insisted should photograph her even after he left MGM in 1932. In the Crawford book, there is a 6-page essay on Hurrell's professional relationship with Crawford titled "Hurrell's Crawford" by Ross Woodman.


The essay begins by bemoaning the fact that Hurrell speaks about his work in worker's terms and not with baroque phrases. After the author settles down, he makes fun observations. For instance, in a Hurrell photo, says Woodman, Crawford's left eye looks directly at the camera, impaling the viewers as they wriggle in their seats, restless with her beauty.

Joan Crawford is a wonderful coffee table book. You might wish to cut out a few of your favorites and frame them.

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This post is part 6 of 6 book reviews for  Raquel's Summer Reading Classic Film Book Challenge Blogathon.

Read more at the Out of the Past website.


 
The Joan Crawford by Anna Raeburn ISBN-10: 0316500550

Wednesday, August 24, 2016

Elizabeth Taylor's Self-Help Book: Elizabeth Takes Off [Book Review]


Even Hollywood legends have tough times. Personal problems become public news, whether you like it or not. Actor Elizabeth Taylor most certainly did not like becoming the butt of jokes for her weight gain during the latter part of the 20th century. Comedian Joan Rivers practically made a name for herself on late night talk shows ribbing the actor's size. Elizabeth Taylor's measurements would sometimes take precedence in the news over floods, Wall Street scandals and national politics.

Things were getting ridiculous.

In 1987, Ms. Taylor threw herself into the conversation, shaping the narrative with a self-help book- Elizabeth Takes Off: On Weight Gain, Weight Loss, Self-Image, and Self-Esteem.

The author distinguishes image and self-image, saying,
" Image refers to our appearance. Self-image deals with who we really are.We all know heavy people whose emotional lives are in good order who have an excellent sense of self-worth. And Hollywood is filled with thin...women who are unhappy and unfulfilled, with little self-esteem."

The author goes on to mention that she "learned to divorce my self-image from my public persona," answering for her actions only to those to whom she was directly responsible, not to the general public. "After spending so many years being some movie mogul's idea of an ideal, it's a relief  to present myself as I am," she says.

Despite this strength, the author admits that she is an emotional eater. Delicious, highly-caloric foods were not nearly as enticing when she was content with life, active and busy. When her personal or professional life took a nosedive so did her self-esteem; she would then make a beeline for the double-chocolate fudge in the freezer.

After a while, with inactivity and feelings of purposelessness, food "became my only consuming interest. The first thing I thought when I got up in the morning was, 'What am I going to eat?' After breakfast I began the countdown to lunch...." She considers overeating another addiction that she used to comfort herself.


After trying every diet under the sun, the author found permanent weight loss in simple procedures. "I heard what I call the 'click,'", says the actress,"that little bell that goes off in your mind and says, 'Enough, time to stop.'" The Click is a reference to a line in one of her movies - Cat on a Hot Tin Roof. When an alcoholic in the film is satiated, he describes that turn from rabid restlessness to contented state as a Click. Ms. Taylor spins this negative word into a positive for her eating control. She says the switch must be clicked in your own mind first, before you can succeed at your goal.

Takes Off includes a chapter on why the star gained weight, another chapter with tips on weight loss  (included how to dine with non-dieters) and recipes to use at home. Another chapter includes suggested exercise routines. Sprinkled throughout this book are photos of the star at home or at public functions before, during and after weight loss. The captions on the photos are raw and honest.

In Elizabeth Takes Off, Ms.Taylor shapes the narrative surrounding her appearance and creates something positive for other people. "This book," she says, "is not just to set the record straight as to why I gained weight and how I lost it. I also want to pass on some of the ways I was able to shed my own false ideas about being fat." One marvels at her vulnerability.  

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This post is part 5 of 6 book reviews for  Raquel's Summer Reading Classic Film Book Challenge Blogathon.

Read more at the Out of the Past website.


Tuesday, August 23, 2016

David Niven's The Moon's a Balloon [Book Review]


Actor David Niven released his autobiography in 1972 to rave reviews. The title - The Moon's a Balloon- references an e.e. cummings poem about flying into the sky with pretty people, a possible allusion to Hollywood.

Niven spends ample time describing his childhood in an oppressive boarding school, his journey into the Army. Through the course of things, his charmed life leads him to friends of friends who are acquainted with Hollywood actors. Niven is , in due course, well on his way to being courted by film studios, often playing dashing men of wealth or military officers. (Niven would receive an Academy Award for his portrayal of a man who claims to be a retired military veteran in Separate Tables.)

Do not get your heart set on copious details of memories on the set of this or that film. Niven relays the most meaningful stories of his life, most of them were off camera. Niven married twice. The first one ended in a frightful accident at Tyrone Power's house. Still, Niven had great fun in both marriages. He also raised four children and seems to have been loved by all of them.

 David Jr. says this of his father in Thomas Hutchinson’s book NIVEN'S HOLLYWOOD:
“As a father he showed no favoritism and was always there whenever we needed him. He never insisted we be ‘the best’ only to do ‘our best.’ He instilled in us the value of family unity, the importance of loyalty, humility and honesty. He loved us very much and I only hope we gave him as much love and pleasure as he gave us.”

The Moon's a Balloon is an intimate foray into the life of a man who was a delight on- and off-screen.

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This post is part 4 of 6 of Raquel's Summer Reading Classic Film Book Challenge Blogathon. Read more at the Out of the Past website.


Monday, August 22, 2016

Disney's Peter Pan w/ Mary Blair's Art [Book Review]


For 34 years, Mary  Blair worked at The Walt Disney Company, creating concepts for many of the company's animated feature films. One of those films is Disney's version of J. M. Barrie's Peter Pan - the story of a boy who never grows old, and who invites a group of children to the fantastic world of mermaids and pirates called Neverland.





The film is an enduring classic released in 1953. However, long before the movie hit theaters, Blair created concept art for the look and tone of the story which the animators would later use.


In 2009, Disney Book Group would publish Blair's original work for Peter Pan accompanied by a story written by authors Dave Barry and Ridley Pearson. It is a pared down version of the movie's plot on every other page of the 64-page book.





The book is meant for children up to the age of 6, but all ages can appreciate the detail of each painting and the history of Mary Blair's art.

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This post is part 3 of 6 of Raquel's Summer Reading Classic Film Book Challenge Blogathon. Read more at the Out of the Past website.


Monday, August 01, 2016

Mitzi Gaynor in The Birds and the Bees (1956) [Movie Review]

The Birds and the Bees (1956) stars David Niven and Mitzi Gaynor as a father-daughter card sharp team who bilks wealthy people out of their money. This is a remake of The Lady Eve (1941)- a comedy starring Barbara Stanwyck and Charles Coburn as the crooks. Henry Fonda stars as the unsuspecting victim who falls in love with Stanwyck.


In The Birds and the Bees, the victim is newcomer to film - George Gobel. Gobel was a TV star with an eponymous comedy variety hour on CBS, a Paramount company.

We've discussed before how Paramount of the 1950s seemed to bankroll lots of money and a starring gig for an unknown talent who has first succeeded in some other format of entertainment. [See our discussion of Pat Crowley in the review of Forever Female (1953).]

This time, Paramount does it with a very popular, crew-cut wearing, comedian who was in millions of homes weekly. Though I'm sure audiences enjoyed seeing their favorite TV star rub elbows with legendary film stars, there wasn't enough enthusiasm to make this remake a box office success. Gobel's subsequent success would mostly come from television shows, including recurring spots on "The Red Skelton Hour."

Mitzi Gaynor is winning as the cunning seductress. David Niven isn't given much to do as her father and partner-in-crime, but he's charming as ever. Gobel is giving it a good try, but with Henry Fonda in your memory, this performance leaves one slightly disappointed.

Part of what makes The Lady Eve a good con, an effective con is that the target believes he's smarter than everyone else, when really he's the last to know anything. In The Birds and The Bees, the target plays sheepish and perhaps a little disassociated from reality. This makes conning him too easy and not as fun. His innocence reminds you that these people should be behind bars, not running around on cruise ships.


About 40 minutes into the film, the story becomes a musical.  Gobel serenades Gaynor on deck with the title song -an attempt to sell albums and sheet music with this film. It's a little jarring, since this has been a straight comedy up to this point. But the audiences at the time would have expected Gobel to sing since he started his entertainment career as a singer and took that talent to his comedy show.

Although, The Birds and the Bees remains a bit obscured by the memory of its more witty and successful predecessor, it is still a fun little rom-com .

Saturday, July 23, 2016

Tyrone Power's Biography - Searching for My Father, Tyrone Power by Romina Power [Book Review]


 
When Tyrone Edmond Power (The Mark of Zorro, Witness for the Prosecution) died on November 15, 1958, he left not only grieving film fans, but young children who would wonder what he was like beyond the silver screen roles, beyond the stardom. Who was Tyrone Power the man, the father? These are questions posed by the book Searching for My Father, Tyrone Power by Romina Power. 

The author is one of the star’s daughters, one who was too young to remember much about her father from her own memory bank. As a young woman in the 1970s, the author interviewed friends and family of Power. Her interviewees include Power’s sister Anne, close friend Cesar Romero (Batman:The Movie), co-star Henry Fonda (Jesse James), as well as interviews of the ladies Power married (including the first Bond girl and the author's mother, Linda Christian). This lovely patchwork quilt of memories makes up the bulk of the book.

There is a chapter or two which transcribes letters from Power.  (His missives home from World War II will have you tearing up.) The reader is, thus, privy to the man’s own words as well.

A favorite chapter includes a letter to a teenaged Tyrone Power from his father, Shakespearean actor Frederick Tyrone Power. In the letter, the father acknowledges his son’s interest in the family business of acting.  [The Power family has entertained the world for centuries. Read the article: Tyrone Power’s Acting Lineage.]  Further, he gives the younger man a course of study to improve himself as an artist. It is a loving gesture of a man who is launching his son gently into the craft of performance.  Power would take this business seriously, but would, unfortunately, die just as he began to take control of his career.


The book is mostly in chronological order, not in order of the date of the interview, but of the date when the interviewee first met Power. Thus, the chapter featuring Power’s sister is early in the book; the chapter featuring a lady that the star dated late in life comes later in the book.

Each interview begins by noting how the author was able to set up the meeting, making this not only a movie star’s biography but the author’s memoir. Tyrone Power is the author’s father as well as a stranger, giving the book a balance of intimacies as well as the distance of an investigator. The author’s journey to find bits and pieces of her father’s life is just as important as anything else; it is the framework for the biography. It’s Tyrone Power through his daughter’s eyes filtered through the prism of his friend’s memories. 

The reader will note that the dust jacket and cover share poignant father-daughter photos. On the front is a photo of the author as a child with Tyrone Power on the set of Untamed. On the back of the book is a photo of the author as a young lady seated atop her father’s gravestone bench.  There are other photos of Power throughout the book, from his childhood to being on the set of Solomon and Sheba before his fatal heart attack.

This book was originally written in Italian, one of the author's languages; copies of the first edition from the 1970s are rare. The author created the first English edition to honor her father in his native language during his centenary in 2014. It is the latter that I use as reference for this review.

Searching for My Father, Tyrone Power has the gut-wrenching personal touch of a child tantalized by information about her father which is just out of reach, a puzzle that will always have a few missing pieces. So close, yet so far. You will cry.


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This post is part 2 of 6 of Raquel's Summer Reading Classic Film Book Challenge Blogathon. Read more at the Out of the Past website.


  •  If you're interested in purchasing the book, the author has included a note that says inquire at tyronepower.firstedition@gmail.com.



Saturday, June 18, 2016

Robert Wagner's You Must Remember This (Book Review)

In 2008, movie legend Robert J. Wagner released an autobiography, Pieces of My Heart, which details  his life from childhood to the present day. In 2014, the star of  Prince Valiant released a memoir (co-written by Scott Eyman) titled You Must Remember This: Life and Style in Hollywood's Golden Age.

This is not a followup to the previous tell-all offering. You Must Remember This is largely a stream of consciousness, reminiscent of Tony Randall's Which Reminds Me. The book offers a hodgepodge of memories (and tales told to the author) from the 1900s to the 1960s in Southern California.

These are glances of Hollywood stars outside of work - their houses, their parties, their personal wardrobe. However, the book does not dive too deep into anyone's life. You're offered the ambience of early Hollywood more than anything.


These are cobbled together in sections, including "The Houses and Hotels" and "The Land."


You Must Remember This travels up and down the highways and byways of early Hollywood, filling in details of its architecture, economic history, how Hollywood actors and moguls lived and played. These are Wagner's own memories as well as those of older people (with whom he spent a great deal of time) who were on their way out as Wagner was on his way up into stardom in the 1950s. the author also acknowledges help from a few history books to round out his tales.

The chapter titled "The Land" discusses early Hollywood, the surrounding towns, the social and physical divisions (early Bel Air was off limits to nouveau riche people of the film industry), the drivers of the economy (agriculture and real estate, then movies) how people traveled (horse, trolley, then cars), the feel of the place (leisure and open spaces, sage brush and bridle trails).


Wagner discusses a part of the surrounding area and then will mention someone he has met there. For instance, in Palm Springs, the author discusses having a conversation with a retired William Powell (The Thin Man), having Christmas parties at Frank Sinatra's compound, and his own years living there near a favorite childhood author- Zane Grey. Then the author swiftly moves on to other places where denizens of Southern California might live or vacation.

In the "Houses and Hotels" section, Wagner discusses Hollywood architecture , that the place is filled with people from all over the world, bringing with them their own tastes and ideas . This creates a mish-mash of architecture, so there is no one solid house tradition. Architect Frank Lloyd Wright decried it all in resignation saying that California's, "eclectic procession to and fro in the rag-tag and cast-off of the ages was never going to stop." This is a designer in defeat.

Wagner also discusses early city planning. Explaining that it was by design that in Beverly Hills, the Santa Monica and Wilshire Boulevard areas were for lower income families, Sunset Boulevard and the hills above were given wider plots and were meant for the very wealthy. Anything between these streets were for the middle classes. This explanation gives a better understanding of movies such as Sunset Boulevard and what it means to characters in that film to travel into the hills and visit a movie star's house.


Wagner says that Beverly Hills was largely barren until major movie stars, Douglas Fairbanks and Mary Pickford married and created their vast compound - Pickfair. That's when, "the world began beating a path to Beverly Hills."

Other famous names make appearances in this book.

Movie mogul Jack Warner lived in refined elegant homes, not the gauche trappings that Wagner expected of a man who made gangster films. Fred Astaire's last home was not decorated with art of famous painters, but that of family and friends.

James Stewart's Tudor home on Roxbury Drive was understated inside, featuring photos of family and friends with a few frames of some of his films. He and his wife bought the house next door, tore it down and planted a garden.

Wagner was surprised to learn that legendary film star James Cagney owned a house in Cold Water Canyon that was a relatively unpretentious farm; there were no wild Hollywood parties there; the Cagneys kept to themselves.

But there were those who did give parties. Wagner mentions Carole Lombard's hospital themed party where guests ate from an operating table.

You were still invited to A-list house parties even if your star no longer shone bright in Hollywood, says Wagner. You were simply not seated at the A table.

There is an entire section on wardrobe titled "Style". These Discussions of Cary Grant's Kilgour suits on and off screen and how Fred Astaire copied the Duke of Windsor's clothing choices.


There are also plenty of golf memories. Wagner's father was a member of the Bel Air Country Club, Wagner became a caddy there (and met Cary Grant, Gary Cooper and others, which solidified his determination to be in movies) and eventually became a member himself.

There is a handy index to help you find names of stars or streets.

The author playing golf in the 1950s

 Though this is mostly a book about movie star residences and play time, the author does swing through work life a little in the section titled "The Press."

A run-in with a gossip columnist -who could kill your career with a breathe of scandal- was often greeted with strained gentility. Wagner recounts the tale of how he heard of Marilyn Monroe's death. Columnist Sheilah Graham yelled the news of the film star's demise out of her window in "exactly the same way she would have announced that her building was on fire."

However, an actor could not afford to make disdain for the press obvious; the press had power. Wagner would court them, send flowers. "It was part of the game," says Wagner, "You could get tired of it, but you couldn't show it. That's why they call it acting."


Wagner changes topics frequently and swiftly in the same manner that Hollywood  reinvents itself from year to year. You Must Remember This is a slim volume. However, it is ultimately a love letter to a time when Hollywood felt like a big small town, a place where you could pop into a restaurant or be invited to a house party and bump into the innovators of your industry.

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This post is part 1 of 6 of Raquel's Summer Reading Classic Film Book Challenge Blogathon. Read more at the Out of the Past website.

Sunday, May 15, 2016

5 Classic Movies on an Island Blogathon

Which five movies would you choose to take with you on a deserted island? Clearly, if you could prepare, you'd  throw out the movies and take survival guides and other useful items. But this is fantasy. You might choose films from five different decades and from multiple genres. That's what we've done here.

1. A Silent Film - Cinderella (1911)

http://www.thanhouser.org/films/cinderella.htm?utm_content=bufferbb4ac&utm_medium=social&utm_source=twitter.com&utm_campaign=buffer
Charles Perrualt's classic tale  -Cinderella - comes to life in this silent film  from 1911 directed by George O. Nichols. It stars Florence La Badie as the title character - a daughter forced to work in her own house as an abused servant who wishes to attend the royal ball.

Though only 14 minutes long, you would still take it with you on the island when you want a simple and short story. It's a brief respite from your island woes; you can quickly return to your hut-making, chopping wood, or whatever it is you're doing to survive.

Click here to watch Cinderella (1911).

2. An Epic - Ben-Hur: A Tale of the Christ (1925)


Moving up a decade to a bigger budget and a longer running time, we have Ben-Hur: A Tale of the Christ  (1925). The Lew Wallace novel roars on to the screen with Ramon Novarro as a young man who seeks revenge on a childhood friend (Francis X. Bushman) who has betrayed his family.

This is another silent film, it runs for over 2 hours. The pageantry, the action, the epic-ness of it all bears repeat viewings, making it perfect to have on rotation.

3. A RomCom - Evergreen (1934)

http://javabeanrush.blogspot.com/2015/10/evergreen-1934-art-deco-extravaganza.html
This Gaumont British Picture is a romantic comedy, a film about time, stage craft and aspiring actors. Above all, it's an Art Deco extravaganza!

Evergreen (1934) so encapsulates 1930s films it almost seems a parody of its own modernity. Starring Jessie Matthews in a dual role, we find a young actress who pretends to be her late mother coming out of retirement.  

Evergreen is a story about time - savoring time, stopping time, changes over time, similarities over time, the trends of the day, the music of an era, the ultimate dominance of time, fighting time.

Great for a deserted island because you'll have some time on your hands to be nostalgic.

4. A Drama - The Heiress (1949)


A Paramount Pictures adaptation of a Broadway play that is based on a Henry James novel cannot help but have layers.

In this taut drama, Olivia De Havilland stars as a wealthy young lady who does not know whether her new beau (Montgomery Clift) loves her (as she believes he does) or her money (as her father, Ralph Richardson, believes he does).

Discovering all the lights and shadows of the characters would be like unwinding the inside of a baseball; you'll never run out of concepts to explore within this film.


5. A Musical - A Star is Born (1954)

A rotation of deserted island movies would not be complete without a musical. Why not one from the 1950s when they were just hitting a peak before they fizzled out?

And why not one of the most massive, well-acted, well-choreographed musicals in the English language? I'm talking about A Star is Born  (1954) with Judy Garland in her Oscar-nominated role as an aspiring film actor whose career ascends as that of her husband (James Mason) descends.

It's a long film with a variety of great moments and musical numbers which you could treat as their own little movies within a movie. This is a film you can watch again and again



What 5 Movies Would You Take with You? Leave a Comment Below.

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This post is in celebration of National Classic Movie Day (May 16, 2016) with the
5 Movies on an Island Blogathon hosted by Classic Film and TV Cafe.

Monday, March 21, 2016

Toast of the Town - Ben-Hur Remake/Robert Osborne/Citizen Kane/Film Preservation

BEN-HUR

With the news of a remake of Ben-Hur  (coming out in August 2016), what could be better than a look to the past to get our bearings?




Musician-composer Stewart Copeland discusses with Valley Performing Arts Center editing the silent film Ben-Hur: A Tale of the Christ (1925). Watch the 5 minute interview here: Editing Ben-Hur.

Bosley Crowther of the New York Times sings high praise of  the 1959 version of Ben-Hur starring Charleton Heston in his review of the film. He lays particular stress on the effective personal relationships within the vastness of the film.

Variety's review agrees that, "The big difference between Ben-Hur [starring Charleton Heston] and other spectacles, biblical or otherwise, is its sincere concern for human beings."




Here is the official trailer for the new film by Paramount Pictures, starring Jack Huston and Morgan Freeman: Ben-Hur (2016)   

Looks like they are going for a Gladiator (2000)/Christopher Nolan's Batman/ heavily- CG video game version that will get the younger generation into the seats. This should be interesting. Let's hope the human quality is not lost in the action.

 

Robert Osborne


This month, Theater Talk uploaded to its official Youtube channel an interview with Turner Classic Movie host Robert Osborne. This interview originally aired on CUNY TV in 2010. They discuss the film and Broadway connection.

Watch it on Youtube here:  https://www.youtube.com/watch?v=osMxkMdszDU

Who Penned Citizen Kane?

via
In February 2016, Thomas Dunne Books posthumously published screenwriter Frank Mankiewicz' memoir. It was not without controversy.


Mankiewicz claims in his book So As I Was Saying, that his father, Herman Mankiewicz wrote the classic film Citizen Kane and not Orson Welles (the star and director of the film). This is according to Lou Lumenick of the New York Post: My dad wrote ‘Citizen Kane’ — not Orson Welles.

Ray Kelly of Wellesnet, an Orson Welles online database, disputes this claim here: Mankiewicz book repeats lie that Orson Welles did not co-write ‘Citizen Kane’.

Film Preservation Library



A film preservation facility by David Packard of Hewlett Packard is nearing completion.

According to the LA Times, the building "houses vintage movies in the UCLA Film & Television Archive, including The Maltese Falcon, the Flash Gordon serials, Laurel & Hardy's Way Out West, Cecil B. DeMille's personal collection and producer Hal Wallis' own print of Casablanca."

Friday, January 29, 2016

Marge Champion's Documentary is Available to Watch Online




The Marge Champion and Donald Saddler documentary Keep Dancing (2009) is on Vimeo for a short while as of January 27, 2016. Watch it here: https://vimeo.com/153283760

We've discussed before that Marge Champion is not only a wonderful dancer on film (Show Boat, Jupiter's Darling), stage and supper club, but she also has a wonderful outlook on aging. "You can adjust," she says. "You can celebrate each decade for what it gives you, not dwell on what it takes away."

Further Resources

Wednesday, January 27, 2016

January Favorites

Every time you blog, older posts are buried in your archives and often are not read again. So today, we are combing through our classic movie archives like Scout in To Kill A Mockingbird, opening her treasure box and scooping out memories.

Here are a few favorite blog posts from previous Januarys.

January 2011

    As a part of James Bond January, I took a look at 007 pop culture in 1967. This is the year of You Only Live Twice with Sean Connery. It's also the year his brother performed in a spoof of the Bond franchise.

Click here for James Bond in 1967: Bits of Trivia.





January 2012

This is the year we continued discussing The Heiress, starring Olivia De Havilland, about a woman who doesn't know if a guy loves her for herself or for her wealth.

This movie is a well that never runs dry. It bears repeat viewings. So Java's Journey talked about the symbolism of the garden muse in this film. How it represents new beginnings for the protagonist.

Click here to read The Heiress (1949): The Garden Muse.

January 2013

This year we took a look at classic movie remakes that are in development. Two of these films have made it to the big screen: Annie and The Secret Life of Walter Mitty (Read a comparison of old and new Mitty here.). The rest are still in development.

Read Classic Movie Remakes in Development.






 

 

January 2014

I happened to be watching an episode of the Lucy-Desi Comedy Hour  ("Lucy Hunts Uranium") and noticed similarities in both plot and framing in a later film - It's a Mad, Mad , Mad, Mad World (1964). I just had to share it.

Click here for Lucy Hunts Uranium vs. Mad World


 

January 2015 


Last January was pretty tough for me, so I joined a Joan Crawford Facebook group. (Naturally.)  I had rarely ever watched Crawford films; I couldn't shake from my mind her alleged scandalous child-rearing skills.

The group convinced me (1) that there was room for doubt in the scandal and (2) that I'm missing out on some great theater. They were right on both counts.

So I watched a smattering of Crawford and was blown away! What a talent! In January 2015, I  reviewed Humoresque and was acquainted with some of the earlier work of Issac Stern, the violinist who made the fiddling in The Fiddler on the Roof so distinctive. In the Crawford film, it's Stern's work you hear when John Garfield fingers the violin.

Even in the strange circus world of Berserk!, Crawford stands out as the best part of the film - the concerned ring master who's workers are being mysteriously murdered.

Read Humoresque
Read a review of Berserk.

Monday, January 25, 2016

Harold Hill and Broadway's Hamilton | Now and Then, Part 1


In The Music Man, Harold Hill's theme song is "76 Trombones," which has the same melody as Marian's song, "Goodnight, My Someone." The movie (as well as its stage version) creates a moment when the two leads alternate singing lines from their own songs, then they start singing each others' tune. This shows their connection and oneness. (You'll see that in dances in the movies as well - the two create separate patterns of movement around the floor, then they dance in unison.)


This pairing of songs reminded me of something similar in a different Broadway show.

Currently, on Broadway is a popular and critically-acclaimed show: Hamilton: The Musical, created by Lin-Manuel Miranda (Tony-winning creator of In The Heights). The story follows the life of Alexander Hamilton, the first Secretary of the Treasury in what would later be called the United States.


There is a lovely intricacy of songs and storytelling. Alexander has several songs, parts of which can be heard throughout the songs of other characters. The first one, "Alexander Hamilton," sums up his story to the age of 19. It has a throbbing bass line, hard hitting to express the young man's determination to become an influential man.

That same through line of music can be heard several scenes later in his wife's ballad, "Burn." There has been heartache in the marriage and she's burning his letters. They are as separated as two married people can be, and yet, in a subtle way, his song makes its presence known in hers. Later (as in real life) Elizabeth Schuyler Hamilton would bear her husband's legacy; she is still inextricably interwoven in his life, and he in hers.

It's a heartbreaking reminder that, for better or for worse, they are one.


Is this a constant pattern in musical storytelling, interweaving one person's song into another's? Probably. Movies have helped me to understand and appreciate subtleties in musicals.