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Wednesday, July 08, 2015

MAME is Lucille Ball's TROG?

Mame with Lucille Ball
Trog with Joan Crawford



Lucille Ball in the musical Mame is the subject of a light debate over in a Facebook group that I frequent.

The film today has an amusingly campy legacy. Some have placed it in the so-bad-it's-good category; others say it's just terrible; others say it's a work of art with a few glitches.

Mame  follows the story of an orphaned boy who is sent to live with his wacky aunt - Mame Dennis- and all the adventures they have. Mame is the musical rendition of Auntie Mame. Auntie Mame is a straight play, a Broadway hit and later a film, starring Rosalind Russell. They are all based on a popular novel by Patrick Dennis. These were successful productions. Why is the hit musical play considered a stinker on film?

Oft-mentioned reasons for not calling Mame an all-out classic usually are these:
  1. Lucille Ball's voice clearly cannot sustain the notes in this musical; she should have been dubbed.
  2. Ms. Ball's advanced age makes the character unbelievable as the little boy's aunt.
  3. The Vaseline on the lens, or soft focus, to give the appearance of a smooth face on the star to hide her age is distracting. Why not just hire another actress?
  4. Angela Lansbury was perfect onstage as Mame Dennis; she has numerous films under her belt, but they wouldn't let her star. Anyone else in the film's title role is a travesty.

The Facebook discussion took a slight turn when someone, frustrated with the movie, proclaimed, "Mame is Lucy's Trog," referring to one of the last films of megastar Joan Crawford. Trog was not well-received.

One can understand why the two might be compared. Each film stars a legend of the silver screen in one of her last films. Each film received negative reviews. Both films have become campfests, where newer fans love to laugh at the craziness.

However, there is a difference.

The pedigree of Mame, its classic songs, its star power (in the form of not only Lucy, but supporting cast such as the fabulous Bea Arthur in a scene-stealing role as the best friend) make it the perfect vehicle for the right casting. At the very least, they could have dubbed Lucy's croaky voice, and there would be no doubt that this is a bona fide classic that is worth your time. 

Lucy in Mame is like having a poor driver in a Rolls Royce- in proper hands it would have driven well.  In this case, it is swerving all over the place, but you can still appreciate it.

Trog, on the other hand, is intrinsically flawed. It's a low-budget, sci-fi film about an anthropomorphic monster (a man in an ape-like costume) from an earlier time who kills everyone in sight, except a scientist (Crawford) who understands him. This film takes itself seriously. No one, not even Academy-Award-winning actress Joan Crawford, can elevate this film.

Crawford in Trog is like professional NASCAR driver, Dale Earnhardt, trying to speed around the track in a beat-up Pinto. What you want to accomplish and what can be accomplished, given the tools you have to work with, are two separate things.

The two are not equivalent.

What do you think of Mame? How about Trog? Do the two compare?


Wednesday, July 01, 2015

Why Your Blog Loses Readers (and What to Do About It)

Whether you blog about classic movies for money, or for fun, or some other reason you are obsessed with your website's statistics. You analyze them regularly. When you see "2 comments awaiting approval,"  your heart zings a little. You check the little graph which shows how many people have read your articles and you smile or frown with that little blue line. You never want your list of subscribers to dwindle, but sometimes it does.

Here's why you may have lost them.


You May Lose Readers When...

  1. ...you change the format or schedule on which they rely.
  2. ...you post too many or too few articles in a day.
  3. ...you use too many guest posts and not enough of your own.
  4. ...you say something controversial for your audience.
  5. ...your blog is filled with annoying advertisement.
  6. ...your blog is not mobile-friendly
  7. ...they feel under-appreciated.
  8. ...you present fluff
 

What to Do When You Lose Readers

Change causes everyone to pause and reassess the value of time spent, the worth of continuing, whether they are at the same level of interest or growth that they were when they started reading your blog. So if you change something, be aware that it's not just you shifting and adjusting, your readers are as well.

Would you like to restore the numbers you have lost? Perhaps even exceed them? Here are a few suggestions.
  1. Stay on a schedule that works for you. Once per week. Once per month. Daily. Whatever the schedule, stick to it. Readers are less likely to stray when they can rely on your regularity.
  2. Discover the perfect timing for your blog posts. It's a trial and error thing for everyone, depending on topic. However, in classic movies, publishing a blog post between once per day and once per month tends to work. Any more frequent and people become annoyed. Any less frequent and people wonder if you have died. (Death is a way of life for classic movie fans, after all.)
  3. Make sure guest posts do not overshadow your contribution. Many bloggers ask for others to write on their blog just to give themselves a breather and to give their readers expertise from someone else.  However, what makes your classic movie blog different from all the rest is YOU. The author of the blog attracts the reader, so keep yourself in there. The only time when you wouldn't consistently write for your blog  (other than death or prolonged illness) is if you are transitioning into a resource that lives on beyond you. In which case, be upfront with your readers about the changes a-coming and you will lose fewer of them.
  4. Only say something controversial when it is related to your topic, when you really believe what you are saying and you don't mind losing readers. There will be those who unsubscribe when you have an opinion contrary to popular thought. However, you might find that you will gain different readers as a result of your outspoken blog post. Controversy is one of the problems that classic movie blogs rarely have to deal with. Anyone who dislikes classic movies tends not to delve into them at all, leaving behind those of us who enjoy them.
  5. Replace your random ads with related ads of companies you have used. Most classic movie bloggers do not bother with advertisement, except when promoting their own services or books. Those who do latch on to programs like Google Adsense, and allow randomly selected ads to be placed on their blogs, might be distracting to the reader to the point of irritation. Instead, you might create sponsored posts - you agree to allow a company's logo to appear on a post in exchange for a set amount of money. Explain to your readers what this is and that your opinion of the film you are reviewing is not swayed by the sponsor.
  6. Go to the following post to make sure your blog is mobile-friendly: Is Your Classic Movie Blog Mobile-Friendly?
  7. Engage your reader. To make sure your reader understands that you appreciate him or her, feature a comment or question from your email or blog or social media platform (e.g. Facebook). If someone leaves a comment, respond to it. If you have such a large following that responding to all comments is not a wise use of your time, then respond to a few that stand out to you. People are here to interact with you and your thoughts. Be responsive. Plus, whatever question one reader has is bound to be a question that someone else has.
  8. Respect your reader by giving them the best information that you can. If the quality of your classic movie blog suffers when you post once per week, then post only every two weeks or once per month. Use that time to write the most outstanding, in-depth classic movie article that you can for that month.
  9. You can set up a subscription service (say, with Aweber or Mailchimp, independent of your blogging platform) that asks the person why they are unsubscribing. The information might help. All of that depends on how much you are willing to invest in your classic movie blog.
  10. Commiserate with other bloggers. Accept the loss, grieve if you have to, revamp and reassess what you want from the classic movie blog. There is a psychological toll on the author when someone leaves. It is rejection and we don't always know why the reader leaves. Gather with other bloggers in any number of Facebook groups (such as Blogging Boost or Daring Creative Workshop or the CMBA Private Screenings Room, if you are a member of the Classic Movie Blog Association) and get some great tips from them.

Ultimately, you should determine what you want to make of your classic movie blog - a resource guide, a community, a place to dump your thoughts, a record of  film history, a full-time job. Whatever it is you want, keep that idea in front of you constantly. It will get you through the ups and downs of blogging.

When do YOU lose interest in a blog? Comment below; let us know.

More Classic Movie Blog Tips can be found by clicking this sentence.

What to Watch on Independence Day

The 4th of July is Independence Day in the U.S.  Here are a few classic movies to watch on that day.

Nice Girl? (1941)


Deanna Durbin, a very popular star of the 1930s and 1940s, plays the overlooked daughter of a professor  (Robert Benchley) in a small town who is willing to sacrifice her reputation to get attention from someone.  Anyone. Including a visiting professor, played by Franchot Tone.

It's a  heart-warming, comedic, patriotic film, set during the initial stirrings of U.S. involvement in the European Conflict. There is a scene during the 4th of July that will have you choked up, what with Benchley nearly crying and Durbin singing "Beneath the Lights of Home." Read the review of Nice Girl? at The Amazing Deanna Durbin Blog


Java Reminisces 
This is one of my childhood favorites. Franchot Tone always has a bemused smirk on his face, letting you know it's all a silly comedy and everything will turn out fine.The mansion his character owns is to DIE for! I need that gigantic closet!

This is the first Robert Stack film I recall seeing. He's a gearhead who is more in love with his car than with the girl-next-door. He suddenly needs to compete for Durbin when this sophisticated professor rolls into town. He's almost like the bashful maiden and  Durbin is the Wolf.

You have to love Stack's final scene with Durbin, because he's almost emotive and human, which works perfectly for the character. You want to follow up with a sequel to see how he continually unfurls his vulnerability.

Benchley, who is known in real life for his humorous newspaper columns and short films, gives a surprisingly nuanced and sober performance as the understanding father who protects his daughter from wagging tongues and her own foolishness. One of my favorite of his scenes is when he gives his daughter her space and tells everyone not to disturb her, after the neighbors start gossiping about a girl whom they once thought was "nice."

On the Town  (1949)


This is a great standby favorite. Turner Classic Movies will show Independence Day-themed films on the 4th of July. Their lineup includes On the Town, a classic movie starring Gene Kelly, Frank Sinatra and Jules Munshin. It's  a fun little comedy about 3 sailors in the U.S. Navy on 24-hour shore leave in New York City.  Read On the Town and Musical Noir

Military personnel on leave was a very prominent plotline of the mid-20th century.  The possibilities of life-changing decisions made in an instant during a state of emergency led to rather complicated fun in comedies or trauma in the more dramatic versions of this plot.

Java Reminisces  
This is one of those films that I would rewind again and again as a child, learning all the choreography and dialogue.  Gene Kelly indirectly taught me the Time Step.

The 3 men state from the begining that they only have 24 hours in New York. They end up back on the ship as they said they would at the beginning. But -oh!- what adventures they have in that time frame.

In terms of the plot, it reminds me of a number in Kelly's later movie, Invitation to the Dance. In the "Ring Around the Rosy" number, we follow a bracelet as it goes from one owner to another, finally ending up with its original owner. Almost as if nothing happened at all.

Anchors Aweigh  (1945)



You can compare On the Town with another Kelly-Sinatra movie in Naval uniforms - Anchors Aweigh This musical comedy is also about sailors on shore leave; this time they are in Hollywood and meet a budding singing star played by Kathryn Grayson.

Kelly was actually going into the Navy in real life immediately after wrapping up this film. Read Anchors Aweigh and the Real Life Seaman

Java Reminisces 
Many years ago, my sister and I ran down the steps of the Rose Bowl to reenact a scene in this film. The tour guide had no idea what we were doing, but it was fun.

It's Always Fair Weather (1955)



A film that is often contrasted with On the Town is It's Always Fair Weather. It also stars Gene Kelly in uniform with two other men - Dan Dailey and Michael Kidd. This time they are members of the U.S. Army and are happy that WWII has ended. They promise to be friends forever and meet up again. It's starts with an elated dance number in the streets, but the story sobers up as the years wear on and the friends lead separate lives. The bulk of the film is about catching up with each other and the friendship that will never be the same.

It's a deeply cynical film. Where this tone might have led musicals, we can only speculate. Musicals became less profitable soon after.

Java Reminisces  
As a child, I thought this film was trying too hard to capture some of the essence and originality of earlier fare. Gene Kelly  performs an impressive tap dance on skates in the streets as he sings about loving a woman. This is vaguely reminiscent of his famous Singin' in the Rain number where he literally sings in the rain while frolicking on the streets and thinking about loving a woman.

The so-in-love-I-must-dance-in-the-streets number is common in musicals, but when Gene Kelly does it, you're thinking of his most famous version of it and any other one feels like an also-ran. The dance on skates should be appreciated for itself.

The Clock (1945)

Judy Garland Database

You may also contrast On the Town with the somber atmosphere of The Clock, starring Judy Garland and Robert Young. It tells the story of a lonely soldier on leave in New York who finds a woman he wants to marry within minutes of seeing her. This is a common trope in classic films, and possible marriage to a stranger is often treated lightly, but not this time. See The Clock (1945) - Judy Garland's Intense Boy-Meets-Girl Drama

Java Reminisces  
I found this drama later in life, not in my childhood, and I'm glad I did. Kiddie Java would not have appreciated an MGM movie with Judy Garland not singing and dancing and smiling in it.

There are several long scenes where director/Garland's husband Vincente Minnelli has Garland quietly react to a thought; its almost a silent film in some spots. This treatment encourages you to concentrate on Minnelli's beauteous visuals. Garland is always gorgeous... no, ethereal... when Minnelli is behind the camera. It's like a love letter between the two.

This might be my favorite Judy Garland movie other than The Pirate... and A Star is Born... and...


Tomorrow is Forever (1946)



Also from the 1940s, but not from MGM, is this film about divided loyalties and love. In Tomorrow is Forever, Claudette Colbert plays a woman who loses her husband in WWI, then is on the brink of losing her teenaged son to patriotism in WWII.

Will she allow him to serve? What are their duties as citizens? The trauma is real. Read Tomorrow is Forever with Claudette Colbert and Orson Welles



Java Reminisces 
As it was with The Clock, I found this drama later in life. I was struck by the constant, driving themes of love and loyalty. Wartime decisions are not easy to make, which I'm sure the audience of the day appreciated.

Colbert's first husband (played by Orson Welles) says, "Let me love you in my own way," as he leaves for war and is later declared missing in action. Her second husband (George Brent) loves her by sticking around. Her son (Richard Long) loves his country and his mother, but is willing to disappoint her for something greater than himself.

I don't usually cry over movies, but this one had me teary-eyed.

Hit the Deck (1955)


From the same year as It's Always Fair Weather is another film about military personnel and their troubles back home. However,  Hit the Deck is a light and frothy version of 3 sailors on shore leave. It harkens back to earlier comedic films and plays.

It stars Russ Tamblyn, Tony Martin and Vic Damone as the 3 men who come home to romantic problems and family troubles. It also stars Ann Miller, Jane Powell, Debbie Reynolds and all the 1950s crinoline you can handle in those big, beautiful skirts.

Java Reminisces  
I said during the Film Passion Blogathon that Hit the Deck  is the film that turned me into a classic movie nut, but it was really a combination of films. I just happened to be watching this film as child when I thought to myself, "if I claim to love these films, then I should know when the film was made and what studio made it."

The Hit the Deck cover art was right there, so I started learning its facts and comparing it with other MGM films. I'm basically doing the same thing today.



Further Resources

 What are your favorite films for Independence Day?