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Tuesday, January 27, 2015

Humoresque (1946) - Joan Crawford and James Garfield

Music is front and center in Humoresque, a film which follows a fiercely independent violinist from the slums (John Garfield) who will sacrifice anything for the love of his craft. He earns a coveted spot in an orchestra, but argues with a conductor over points of presentation, endangering his job. When a married socialite (Joan Crawford) enjoys his work and expects an affair, could refusing her damage his career prospects?
 

Throughout the film, Franz Waxman (who won a well-deserved Academy Award for scoring in this film) gives us the classics, whether onstage with the orchestra or in background music. The opera Carmen makes its presence known several times, signaling the inevitable doom of any romantic relationship onscreen; "Liebestod" from Tristan and Isolde is on hand in a sweeping, dramatic Crawford scene.

Garfield wasn't great on the strings, so the violinist you actually hear is Issac Stern. Stern (whose playing you hear in the film Fiddler on the Roof) is noted for his distinctive, strong, insistent fiddling, almost as if he could saw the instrument in half. It's perfect for the rawness that Garfield brings to this humble-man-makes-good role. You will see Stern's fingers in close-ups of the violin.

Waxman gives Garfield's rough-hewn man sophisticated music and places many of the pop songs, the mass art, as incidental music behind our sophisticated leading lady.

You will hear pop culture music playing prominently in the background. After Crawford and Garfield first meet, there is the tune, "I Guess I'll Have To Change My Plan." It's a Schwartz and Dietz breakup song, which, like Carmen, foreshadows doom right from the beginning. ("I guess I'll have to change my plan./ I should have realized there'd be another man.") Later, Gershwin's "Embraceable You" tortures Crawford as she sits in a lonely bar, far from the one she loves.


During production of this film, the legendary actress would win an Academy Award for her role as the beleaguered mother in Mildred Pierce. In Mildred the year before, Crawford is the titular character who is the voice of reason with good intentions throughout. Humoresque, comes on the heels of that, showing Crawford's range. In this film, the actress plays a selfish, unfaithful woman who is something between a supporting character and leading lady, in terms of time onscreen . (Her appearance starts at about 20 or 30 minutes into the film.)

She's also a side character is everyone's life. If music is Garfield's love, then Crawford is the "other woman."

Humoresque is recommended if you wish to listen to music which is integral to the plot and watch a three-hanky story filled with unrequited love and operatic tragedy.



Thursday, January 01, 2015

Berserk (1967) -Joan Crawford at the Circus


Murder and intrigue at the circus! Berserk (1967) follows Monica Rivers (Joan Crawford), the ringmaster and owner of a circus that might be forced to close after mysterious fatal accidents continue.

It's a murderous tale akin to Agatha Christie's And Then There Were None,  with characters getting knocked off one by one, but with the spectacle and color of a circus to make the deaths even more gruesome by comparison.

Into the fray comes a new acrobat, Fred Hawkins (played by Ty Hardin), who wishes to prove his mettle on the high wire and his love for Monica. Hardin was a few years out of his Wild West television show, "Bronco." He would continue to make action and adventure movies. His role here is to give the audience another suspect and an occasional breather from the murder so that he can make his move on the widowed ringmaster.

This would become one of Crawford's last films before retiring from the public in the 1970s. Crawford is cool and confident at this point in her career. Her feathers are never ruffled in this role, which makes her character both awesome to behold and mildly robotic, considering the mayhem.

Berserk is pure 1960s camp murder and horror for which our star would become synonymous in later years. It's slowly paced, but if you are a Joan Crawford completest, this is the show for you.